A lovely day out with the Rllmuk folk. David very kindly assumed the role of tour guide for the day with his great knowledge of London and its buildings. I actually learnt some interesting facts about The City and I wasn't expecting such a comprehensive tour! Or print outs! PRINT OUTS! Amazing stuff. Great fun despite the weather and looking forward to part 2. I've always liked wandering around any city and London is one of the best to do that in - but it's good having a route mapped out but without feeling like we're being pushed in one direction or couldn't deviate if we fancied. Also: Pubs and drinking.
Many thanks, Dave, and it was great to catch up with forum folk after quite a while!






Last one - with the same theme as before - aligning an image with strong lines to the edges of the frame.
I didn't like this at first and it just felt like taking a photo for the sake of the exercise. But after burning out the image and giving it a high contrast, I actually rather like the way this rule of alignment is true in the top left*, but then is lost as the perspective distorts the angles towards the bottom right.
* I actually cheated by mirroring the image. Because we read left to right, top to bottom, I preferred the 'alignment' to be where your eyes might start in the image. Somehow it's a more relaxing image to look at than when it's mirrored the other way around:

Another task from The Photographer's Eye.
One simple device for originating an image that has prominent lines is to align one or two of them within the frame.
In this case the camera was tilted so that the diagonal slanting lines of the roof of this rowers' shed are parallel to the top and bottom of the frame. It'd be too obvious to simply align the horizon with the edges!
As part of a forum project I am attempting to take photos based on theories in "The Photographer's Eye". This is the first attempt.
It's from chapter concerned with the image frame, and this task specifically capturing a photo intended for a square frame.
To quote the book:
While all other photographic frames are rectangular, with varying proportions, one is fixed: the square. A few film cameras have this unusual format—unusual in that very few images lend themselves well to square composition. In general, it is the most difficult format to work with, and most design strategies for a square frame are concerned with escaping the tyranny of its perfect equilibrium.
It then gives some examples of what kind of compositions work well with a square frame so it was with those in mind I attempted to take some shots. Interesting task, because I found myself looking for things that fit those shapes, rather than the usual method of just wandering around wondering what interests me and what I should take a photo of.
This is just the first one I edited, there'll be more to come.

Since I have a lot of photos already I'm just going to post a few every so often to the blog - they can always be seen via the gallery anyway. But I think if I select a few photos of a theme them it might even help me put my head in order when looking at them. This website is all about sorting out my creative head so that I should theoretically move forward with my work in a more methodical way, in a progressive way. So far without this kind of process it's just a mess of files on my hard drive and a feeling of having no idea what to do next.
I guess if there's a theme to this tryptich, it's silhouettes...




Using the smudge tool in photoshop, the right brush preset, and finger painting is finally what I was looking for...it acts a lot more like oil painting than anything else. I imagine if I upgraded to CS5, their bristle settings or whatever it is might work even better but for now this is doing what I want.
Feel like I learnt a lot today in terms of technique, so all I need to do now is find some real subject matter that I want to paint. This was some old photo of someone I don't really know that I unearthed just to have a face to draw. As such it looks a little tacky and I could spend another hour or two getting the proportions perfect but I think I am going to give up.
I've done enough 'playing' with photoshop and now it's time to invest some time in a 'proper' photoshop painting. That is to say one I actually spend time on, use colours, have a subject matter that means something at least to me. That means I have to start collating some ideas but there's a few buzzing around.
Logo and business card design for Techno DJ, Audiomode

